Seneca has a bit of a mixed press. Some of it brands him a hypocrite. Here we have a millionaire talking of the value of simplicity and poverty. How did he amass his wealth? Individuals I respect, such as Coleridge and Milton, do not think much of him. Others equally eminent throughout history look back to him with respect.
I can only think that if a hypocrite writes as much as Seneca he ought to be found out in his writings. All the hypocrites of our contemporary political life can be found out in their writings in a moment or two, quite apart from the fact that they would be incapable of even beginning to write with the cogent thoughtfulness of Seneca. Can you get hypocrites of a deeply philosophical nature? Would they exist more in the religious or esoteric arena?
In one letter Seneca arrives home to his country estate unannounced and the servants have not made preparations for him. He stoically maintains his equilibrium until they can attend to him. He does not criticise them. This is an uncomfortable example. Quite clearly if he maintains a spare diet and lives simply it is within a setting of material comfort.
On the other hand, when Seneca effectively ruled Rome for five years during Nero's childhood, it has been described as one of the finest periods in Rome's history. Perhaps he made his money because of his position in a way considered appropriate. Then he retires to lead a philosophical life.
Do I have to know whether or not Seneca was a hypocrite, whether or not I like him, in order to appreciate the thoughts he expresses? These thoughts fail to be self-serving or inhumane. I am left with the impression that the individuality which incarnated as Seneca around the time of the birth of Jesus is one of the most significant in the history of humanity. And this is despite the fact that for Seneca the emerging Christians were just one of a number of foreign religious cults. They meant nothing to him.
His significance is reinforced when I read his plays, which are so powerful and unique they seem to point to a future theatrical art form which in part finds its expression in Shakespeare and other Elizabethans. It seems inconceivable that Shakespeare did not know Seneca's work, there is just too much corresponding resonance. Then in the modern era Eliot's Murder in the Cathedral, in part, seems to pick up on Seneca's techniques although full development still awaits some knowledgeable and able esoteric dramatist.
